The best memories they have are still vaguely there, but it is slipping fast. There is always a sense of pain and confusion and the person suffering this has realized their reality is fading. Reality finally begins to completely break apart as the cuts and blurs start to become violent and cover most of the songs completely. This illustrates the flowers’ (and the person being affected) confusion as their mind is not fully “there,” yet they are both still alive and living like nothing is wrong – although just looking at them shows that they are living in a lie. The flowers also seem to be growing in different directions which would mean their light source’s location is unknown, since flowers always grow towards the light they live under. The flower’s vase is being essentially destroyed, unrecognizable, and distorted, yet the flowers are still alive and push through, much like the person undergoing memory loss. This piece of art acts as a metaphor that mirrors the person going through memory loss. Yet, despite the unnerving tone, this stage pales in comparison for what is to come. This stage has its darkness, but still carries itself as trying to make the current times last, for better or worse. The faint 1930s music still plays, but it has become lost and dark. More white noise, cuts, and blurs fill this album as this disease tears the brain, while the person undergoing this just seems to act like nothing is wrong with them.
This phase is a continuation of phase one’s theme of “everything is fine,” but in phase two, the condition of mind loss is growing worse. The person undergoing mind loss at this point might have some signs of what’s to come, but they are still able to live life to its fullest.
#The caretaker everywhere at the end of time free#
Thus, as I explained earlier, this phase isn’t completely free of pain, but the world is still recognizable from illusion. This vagueness portrays this phase as still being able to distinguish illusion from reality, but there isn’t a complete grasp on what is happening. The art appears to be a newspaper or roll of some sort, but there is no 100% clarity. This stage illustrates that there is a mental problem, but not to the degree that it needs much worry yet. However, there is static – which could be a motif for what is to come later – suggesting that although everything seems nice and relaxed, there is a layer of uncertainty on what’s to come. The calming instruments provide nice soothing music that is meant to instill nostalgia in the listener. Phase one of this music is what could only be described as familiar old music. The stages range from mostly serene, straightforward 1930s/1940s-type music to represent the good times in life, to deranged static “music” which represents losing the ability to consciously make/remember memories. This album consists of 6 stages of identifying, experiencing, and accepting the fact that your memory is slowly peeling away before your very eyes.
There is no official name for the Phases or art.Įverywhere at the End of Time is a six-hour-long album that is a musical representation of dementia/amnesia. Note: Names of stages and Art are key words from the description of each phase that I thought represented the Phase’s name or art well. I would not recommend this for the faint of heart. Many users have experienced mental breakdowns while listening to this composition. Warning: this album can cause anxiety and depression while listening to it.
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